'The Wright Museum Erectus', 2011: How might it be possible,that a visualist living in NYC, and having a visual affection for the built environment, not stand before the Guggenheim Museum and have an inspired vision? This Frank Lloyd Wright creation is one of constant giving, always inspiringthen you walk through the door for a second round of impactful, imaginative stimulation.
All materials, techniques and pigments used in producing this print adhere to museum protocols. Signed frontally with title and copyright. Should a size, different from that indicated above be desired, pricing will be proportionately adjusted. All measurements are from image edge to opposing edge. Shipping, and or, insurance will be borne by purchaser. By obtaining this work an agreement to all copyright statutes that apply will be engaged.
A native of Baltimore, MD, Ive made N.Y.C. my home for more than half my life. I occupy a space between a world as it is, and one cloaked in personal aspirings of a world where the tension fraught relationship between Nature & humanity may evolve to one guided more by long-term possibilities of preservation, rather than a short-sighted possibility of profit. Contrasts of Nature & humanity often join forces in ways that are prophetic as to the conceptual gulf separating the two. These tensions are primary to my efforts at creating a visual discourse, one where what is, is matrix to possibilities of what might be. Visual formalities, and narrative content are not mutually exclusive, but form an osmotic linking of the two. While Nature & humanity form concerns primary to this presentation of works, some embrace subject matter beyond such issues.
